Las óleos de todo CAMPI, Giulio


ID Image  Painting (From A to Z)       Details 
28912  
CAMPI, Giulio, Neptune Pursuing Coronis
 
 Neptune Pursuing Coronis   mk65 Oil on canvas 26 3/8x19 11/16in Uffizi,Gallery
28865  
CAMPI, Giulio, Portrait of a Gentleman with Mandolin
 
 Portrait of a Gentleman with Mandolin   mk65 Oil on canvas 291/8x22 13/16in Uffizi
5551  
CAMPI, Giulio, Portrait of a Man  iey
 
 Portrait of a Man iey   Oil on canvas, 105,5 x 83 cm The Hermitage, St. Petersburg
63840  
CAMPI, Giulio, Portrait of a Man - Oil on canvas
 
 Portrait of a Man - Oil on canvas   105,5 x 83 cm The Hermitage, St. Petersburg Formerly the painting was attributed to Anthonis Mor, then to Paris Bordone, and later to Lorenzo Lotto.Artist:CAMPI, Giulio Title: Portrait of a Man Painted in 1501-1550 , Italian - - painting : portrait
5550  
CAMPI, Giulio, Portrait of Father Galeazzo Campi
 
 Portrait of Father Galeazzo Campi   1535 Oil on canvas, 78 x 61 cm Galleria degli Uffizi, Florence
5549  
CAMPI, Giulio, Portrait of Ottavio Farnese
 
 Portrait of Ottavio Farnese   c. 1551 Oil on canvas Museo Civico, Piacenza
28866  
CAMPI, Giulio, Portrait of the Artist's Father,Galeazzo Campi
 
 Portrait of the Artist's Father,Galeazzo Campi   mk65 Oil on canvas 30 15/16x24 7/16in Uffizi
34316  
CAMPI, Giulio, The Christening Party
 
 The Christening Party   mk92 Oil on canvas 29x42in

CAMPI, Giulio
Italian Painter, ca.1502-1572 The eldest of a family prominent painters, Campi was born at Cremona. His father Galeazzo (1475-1536) taught him the first lessons in art. In 1522, in Mantua, he studied painting, architecture, and modelling under Giulio Romano. He visited Rome, became an ardent student of the antique, and like Bernardino ?? distantly related to him ?? he combined a Lombard and Roman traditions. He collaborated on some works with Camillo Boccaccino, the son of Boccaccio Boccaccino, with whom Campi may also have received training. Campi is called the "Ludovico Carracci of Cremona" although he preceded the founder of the Eclectics. When but twenty-seven Giulio executed for the church of Sant' Abbondio his masterpiece, a Virgin and Child with Sts. Celsus and Nazarus, a decoration masterly in the freedom of its drawing and in the splendour of its colour. His numerous paintings are grandly and reverently conceived, freely drawn, vigorously coloured, lofty in style, and broadly handled. He was animated in all his work by a deep piety. Numerous of his fresco works are housed in churches of Cremona, Mantua, Milan and in the church of Saint Margaret's, in his native town. Among his chief works are the Descent from the Cross (S. Sigismondo) at Cremona, and the frescoes in the dome of S. Girolamo at Mantua. An altar-piece in S. Sigismondo and his Labours of Hercules were engraved by the celebrated Ghiso, il Mantovano. He died in Cremona in 1572.



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